Another keyframe done for brilliant Production Designer @darrengilforddesign on #thekingsman, this time introducing #rasputin. Director Matthew Vaughn wanted an image showing the Tsar and Tsarina in thrall to his magnetism (and the drug he hooked them on, concealed in his crucifix…) The early wish-list for casting included Liam Neeson, so I painted him in the role. The image started out a lot racier but was naturally toned back by the end. Scroll for the original sketch. 

 

라스푸틴에 초기 캐스팅 리암 니슨이었을때 키프레임 아트.

 

 

 

 

 

Another #keyframe from #thekingsman, this time an alternate setting from what was in the film. Originally Oxford’s personal railway carriage would have been an airship, but ultimately after some development it was deemed too steampunk for the tone of the movie. Since this was early in pre-production I got to do some fantasy casting, with Jennifer Ehle in the role of Polly and Nonso Anozie as Shola.

 

 

 

 

More from #thekingsman. My first pass at the design of the aborted Oxford family airship. I did a few versions of this shot to get a sense of scale next to Oxford Hall. The Zeppelin was painted over a quickly Modo model, while Oxford Hall was painted and photo-textured over a Sketchup model of Wrotham Park made by assistant art director

 

 

 

One of my favorite images to paint for #thekingsman. Production Designer @darrengilforddesign had found amazing period photos of howitzers with literal mountains of spent shells surrounding them, such an evocative image. No wonder the terrain of #nomansland was churned into such a muddy pulp from the constant barrage. Darren came up with a replicator rig in #Modo to populate a landscape with shell instances, and I eventually rendered out this composition to paint, highlighting shell-shocked soldiers taking an all too brief respite from the horrors of war. Swipe for an earlier composition

 

 

Oxford’s private rail coach interior design from #thekingsman. Originally this was meant to be a more sumptuously appointed car with a study, lounge and bar. As a European model railroader myself this design was right up my alley and the research was a blast. Sadly director Matthew Vaughn decided it didn’t match the tone the movie was heading in and it was simplified to a more conventional first-class coach.

 

 

 

Phil Saunders

 

예술가

Feature film concept designer.